Cadence Weapon’s Social Commentary Cuts Deep in New Album Parallel World
Edmonton-born rapper, Cadence Weapon (aka Roland “Rollie” Pemberton) has released Parallel Worlds his most raw and politically charged album yet, taking inspiration from sonically menacing U.K. drill with biting kicks and sliding 808s, he turns news headlines into tight rhymes designed to stop listeners in their tracks.
By: Laura Robinson
Sound: Skittering electronic backtracks mix with thumping bass and no-bullshit bars If you like: Skepta, Public Enemy, Shad Why you should listen: Whiptongued verses spit hard truths about systemic racism, society becoming an episode of Black Mirror and Toronto’s rapid gentrification, coated in spiky trap and drill beats Best track:Eye to Eye
Listen on Spotify
Listen on Apple Music
Edmonton-born rapper, Cadence Weapon (aka Roland “Rollie” Pemberton) has released Parallel World his most raw and politically charged album yet, taking inspiration from sonically menacing U.K. drill with biting kicks and sliding 808s, he turns news headlines into tight rhymes designed to stop listeners in their tracks.
You’ve lived in Edmonton, Montreal and now Toronto. How do the hip hop/rap scenes vary in each city?
I was always hanging out in more of an electronic, indie kind of scene. Edmonton was definitely a DIY, rock-oriented city.
When I moved to Montreal, it was just this artistic Mecca where everyone is given the time and space to create. I was hanging out with people like Grimes and Mac DeMarco and worked with Kaytranada. I felt like my whole life was a movie when I lived there.
I ended up moving to Toronto randomly—my girlfriend at the time got a job here. It’s been really advantageous—the music industry is based here, and rap is really popping.
How do you find the words to explore the debilitating, tough topics of Parallel World?
I have a way of synthesizing what I encounter. I feel like that’s my role as an artist. I can see what’s happening on the news, the George Floyd protests, and what I see isn’t just Black people being killed by the police. It’s the institutional issues that caused all this to happen—to me, that is really compelling.
I wanted to zoom out from these individual incidents, and really think about what brings our entire society to a point where you racially profile.
What were some of your influences in making Parallel World?
I don’t want people to feel it’s really heavy and super impenetrable, it’s still a fun album. Stand-up comedy really influenced me. I was watching a lot of old Richard Pryor Dave Chapelle and Chris Rock.
They had this way of talking about big subjects—making light of them—but making you really think about the meaning behind them. Truth in jest.
What are you streaming?
Here’s the thing: I’ve been watching straight trash. I consume nothing but garbage TV. Life is just so gnarly; I can’t really watch anything serious. My girlfriend and I have been watching Real Housewives of New York—but I prefer Beverly Hills.