Stage/Dance

What: Classical Chinese dance
Where: Four Seasons Centre, 145 Queen St. W.
When: Sat., March 30 – Sun., April 7
Why you should go: The power, wealth and spiritualism of pre-Communist China are at the forefront of this musical, theatrical and dance showcase. Acts depict traditions, legends and cultures that are linked into a historical narrative that tells the story of the region. At times, especially in the dramatic re-enactments, Shen Yun may push the truth in an attempt to deliver political/religious propaganda. However, the performers are skilled and exuberant enough to overshadow the downsides; this is a rare opportunity to experience the artistry of ancient Chinese culture.

What: Striking, silent retelling of Shakespeare’s script
Where: Elgin Theatre, 189 Yonge St.
When: Wed., April 3 – Sun., April 7
Why you should go: Removing the weight of Elizabethan-era English and the constrictions of the original script’s pacing, this retelling of Hamlet promises to stay true to the intent of the original whilst making the story more accessible to modern-day audiences. With striking staging, sumptuous costumes and athletic energy, all the pieces seem to “to be” falling into place to herald this as the show of the season!

What: Subverted Swan Lake followed by eclectic street dance
Where: Fleck Dance Theatre, 207 Queens Quay W.
When: Thurs., April 18 – Sat., April 20
Why you should go: What would two choreographers do when each tasked to reimagine and condense the classic tale of Swan Lake into a 20-minute production? You’ll have to buy a ticket to find out! Whatever the answer may be, expect to see a pair of duelling fresh perspectives that turn the original storyline inside out. After intermission, return to your seats for Minus 16, a bespoke movement piece with a unique combination of techno, mambo and traditional Israeli music.

What: Black dance at the forefront
Where: The Citadel: Ross Centre for Dance, 304 Parliament St.
When: Thurs., April 18 – Sun., April 21
Why you should go: Explore the past, present and future of black dance in Canada as told by KasheDance, Toronto’s internationally renowned Afro-contemporary dance company. With influences from Africa, the Caribbean and diaspora culture, this rhythm-lead performance tells not only the history of movement but also its influences on culture, human rights and advocacy. Continue celebrating diversity and inclusion throughout the evening by attending the open-to-public afterparty on Sat., April 20.

What: Best of choreographer James Kudelka
Where: The Citadel: Ross Centre for Dance, 304 Parliament St.
When: Wed., May 8 – Sat., May 18
Why you should go: James Kudelka, known for his gravity-defying choreography, brings three pieces back by popular demand. Start off your evening with Soudain l’Hiver Dernier, a duet that explores unfailing trust in a catch-and-fall series of moments that give you faith. Next, lose that faith in Half an Hour of Our Time, another duet in complete silence that watches a pair unravelling. Finally, cap your night off with The Man in Black, a group number that celebrates the best halves of the prior duets: community and independence.

What: Spanish movement and live music
Where: Flek Dance Theatre, 207 Queens Quay W.
When: Fri., May 10 – Sun., May 12
Why you should go: Enjoy the passion, romance and drama of traditional Spanish song and dance! Amor is the newest production from the Esmeralda Enrique Spanish Dance Company and promises to add a little heat to your spring season. The company has been performing since 1982, with the goal of taking flamenco customs and adding a contemporary spin to appeal to fans new and old.