Stage/Stage Events

Mixtape Projects has already mounted two productions of this ultra-fun satirical musical about a murder on the set of a game show. The first garnered them three Dora Award nominations, including Best Direction for company leader Margot Greve. The second, at the Hamilton Fringe, was unfortunately cut short due to COVID-19. This next Fringe attempt will hopefully go more smoothly and produce a big hit.

Over the last two years, a front company has been producing exciting, small-scale work by artists like Kole Durnford both here and in Alberta. They’re now expanding, and recently announced their ’ rst full season of work, which includes this movement-heavy play by Katarina Fiallos that explores the complex process of recovering from sexual assault.

Nam Nguyen’s meta-theatrical food musical A Perfect Bowl of Pho was the blockbuster hit of last Fringe, and he’s back this year as the lyricist of this “industrial hip-hop concert” about Julius Caesar’s final days. With music by Maksym Chupov-Ryabtsev, it promises to be startlingly contemporary and just plain fun.

Pre-pandemic, a key part of Fringe was the “site-specific” section of the program, which included shows done in unconventional performance spaces around the city. For the first time since 2019, that category is back, and accomplished playwright Steven Elliott Jackson (of last year’s Fringe hit The Garden of Alla) is using the opportunity to premiere this immersive new play at the historic Spadina House.

Based out of the east end’s Withrow Park, this collectively led company mixes creative audacity with accessibility. Their next show, Richard Three (Aug 17-Sep 3), reflects that blend: director Patricia Allison is taking a multiverse approach, drawing an innovative link between a hyper-popular contemporary form and a Shakespeare history play, itself the popular entertainment of its day. Ruff tickets are free/PWYC.

For the last 40 summers, CanStage has brought cheap, high-quality theatre to the High Park amphitheatre. This year, the centrepiece of their outdoor slate is a 90-minute, Jamie Robinson-directed A Midsummer Night’s Dream (July 21-Sep 3). Shorter-running dance and music pieces will fill out the programming.

This growing company is nestled away in Scarborough’s Guild Park & Gardens, where they inhabit a stage with ornate, Greek-inspired architecture. In addition to some programming for young audiences, they’re doing two plays about trios: the satirical Three Men in a Boat (July 27-Aug 13), and The Drowning Girls (Aug 17-27), which is about three murderous brides.